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The secret to becoming a great knitter!

February 7, 2014 thecraftsessions
This cardy was the first time it kinda made sense to me.

This cardy was the first time it kinda made sense to me.

The thing is that I'm not kidding with my heading. There is a secret....and I have no idea why it is a secret. Nor do I have any idea why noone talks about it or writes about it. Drives me a little nuts. So this is the post my friends when all is revealed. This is the post I have been meaning to write since the blog began.

See if any of this describes you. You might be an OK knitter. You might be a good knitter. You have been knitting for a few years (1 or 3 or 10 or even 40). You might be able to increase and decrease and have the skills to do an icord or a cable or a X or a Y or a Z. You have some skills. Whatever it is that you can do, means that you make pretty things - that people compliment you on. You like knitting. You may LOVE knitting! 

BUT one of these things other things is also true. While you are knitting you lack a bit of confidence. You worry about dropping stitches or misreading instructions. You worry about loosing count. You worry that you will lose your place. You worry that when you make a mistake you won't understand it well enough to fix it. You are scared to rip the knitting off the needles, so you tink back row after row, just to fix a one stitch mistake. You think that when you lose your place there is no way of figuring out where you are at, so you just need to fake it and maybe measure it with a tape measure, and guess a bit. You really want to try that lace pattern but don't have the headspace for all the counting at the moment. I could go on but I think you get it.

You have some fear. You have some tension in your body, and possibly in your heart as you knit. And you definitely have some worry. Knitting doesn't feel glorious and free and meditative all the time. It often feels a bit stressful and causes angst.

The thing is - you should never have to count your rows or your stitches* - except to do the odd stitch count to make sure you are on track. You should never knit with fear in your heart. You should be able to knit something in pattern without having to worry about finishing at a particular point so you don't get lost. You should be able to put something down for a year and pick it up and figure out where you are up to by looking at the knitting - not the pattern!! 

So let's get to the secret because this answer will truly set you free - free from all the grief and angst and pain.....

A favourite knit - Immie Tee by Carrie from Madder Made.

A favourite knit - Immie Tee by Carrie from Madder Made.

You need to .............

Learn to read your knitting!

This post is the start of a little mini series called - Learn To Read Your Knitting - where I tell you all I have learned over the last 10 or so years about the structure of knitting and why you should care.

So what does that even mean in reality?? And why is learning to read your knitting such a big deal?

Learning to read your knitting means that you will understand the structure of the piece you are working on. And structure is the key to becoming great at knitting - taking your knitting to the next level so to speak. You will be able to see if you have made a mistake and you will be able to see where the mistake was. And what it was. You will be able to fix things. You will rarely need to count in your head (except for the odd stitch count here and there), or tick off the number of increases you have done on the pattern. You will be able to alter your garments because you understand the structure of what you are making. You will be able to recover a garment that got left in your bag, slipped off the needles and then was chewed on by a toddler/dog.

Knitting will just be about joy **! You will be free!

Now this will take some time - it has taken me a few years! It will take some thought. And it will take some practice. I'm going to try to help - but really you can do this yourself. You really can. It is something you learn bit by bit. You will learn through your mistakes. You will learn through practice.

You can do this from wherever you are in your knitting career - complete beginner or capable knitter. You should only attempt to do it when you are knitting with light- or mid-coloured not-super-fluffy yarn, and this is a no-alcohol, no-exhaustion type situation. It calls for a clear head! 

Today's post will be obvious to some of you, but I know there are others of you who still see it as a bit of a mystery. Hopefully this helps. Don't expect that it will all make sense after reading through this once. Just start taking notice and it will make sense in time. 

Also when you are starting to read your knitting ignore garter stitch. I know it is a recommended stitch for beginners, and you can still knit it, but don't attempt to understand it till you have got the basics. (In my opinion a much better starting project for beginners is a 3 x 3 or 4 x 4 rib cowl or hat or scarf because you can see whether you need to do a purl or a knit stitch next and start understanding structure from day 1.)

The beautiful Clara - an all time favourite.

The beautiful Clara - an all time favourite.

I am going to start writing about it using a yarn I had to hand - not perfect because it does have a little twist in it - and if I had time I would redo the photos and use a different colour for the yarn for the row just knitted....next post I promise - the photos will be better!  We are starting with stocking stitch - the most basic knit fabric.

Our sample is knitted at a loose gauge on needles that are too big so we can really see the structure!

Our sample is knitted at a loose gauge on needles that are too big so we can really see the structure!

Read Your Knitting - Part 1

1. The basic structure of knitted fabric.

The first thing you need to learn is the simplest and most important lesson. Everything hangs on this - the structure of knitting is really just a loop (from the current row) pulled through a loop (of the row below) pulled through a loop (of the row below that) pulled through a loop (of the row below that!). The way in which the loop is pulled through the loop means that you get either a knit or a purl stitch. If you pull the loop from the back through to the front you get a knit stitch. If you pull the exact same loop from the front to the back you will get a purl stitch.

A loop pulled through a loop pulled through a loop. The loop shown is a knit stitch BECAUSE it was pulled from the back through to the front - see how it pokes forward/up.

A loop pulled through a loop pulled through a loop. The loop shown is a knit stitch BECAUSE it was pulled from the back through to the front - see how it pokes forward/up.

2. How the stitch sits on the needle.

Start by noticing that when you have stitches on the left needle, that the right-hand side of the stitch is on the front of the needle. This is super important to get. To really get this, have a look at the next stitch on the left needle. The right-hand side of the stitch will be on the front of the needle. If you now grab the right needle tip and poke it into the front of the stitch on the left needle (as if to knit) but then stretch the two needle tips a few mm apart, you can see that there is no twist in the stitch. 

The right hand side of the stitch is on the front of the needle.

The right hand side of the stitch is on the front of the needle.

The right-hand side of the stitch travels down into the right-hand side of the hole of the stitch in the row below. The left-hand side of the stitch which is was on the back of the needle, travels into the left hand side of hole of the stitch below.

Learning this means that you can put stitches back on the needle without twisting any. Right hand side on the front of the needle - simple.

3. The knit stitch

Look at the structure of the knit stitch. Use stocking stitch!! (not garter or you will confuse the beegeezus out of yourself). It simply is a loop of yarn pulled up through a loop of yarn pulled up through a loop of yarn. This is the basic reason why the fabric created by knitting is so awesome. It allows you to ladder a stitch back to where a mistake was way down below and fix it. It also allows a whole heap of other stuff that I won't confuse you with just yet. 

You can see the V by looking at the row just below the stitches that are on the needle. 

You can see the V by looking at the row just below the stitches that are on the needle. 


So just look at what it is. Really look! Have a look at how each stitch creates a V at the bottom and then has a loop at the top that travels behind the stitch directly above it in the next row - kind of hooking it in place. 

Notice that the back of the knit stitch (so on the wrong-side (WS) of your work) is the top of the loop - and that loop is kind of hooked around the stitch that is pulled through it to make the row above.

4. The purl stitch

Next look at what a purl stitch is doing! The reason you do a purl stitch in stocking stitch is so that all of your stitches face the right side of the fabric which gives you the nice flat fabric. So you need to change from a knit to a purl stitch on the WS of your fabric. This means you are pulling the loop from the WS through to the right-side (RS) or in other words from the front-facing-you to the back-which-is-the-right-side.

Confused yet? Reread it and better yet try it on some light coloured knitting you have lying around.

The loops seen from the purl side. You can also see how the stitch below holds the new loop in place.

The loops seen from the purl side. You can also see how the stitch below holds the new loop in place.

5. Take notice

The last point for this week is just to take notice when you do something. Of what any stitch looks like - just before you knit it, straight afterwards, on the next row and the one after that. When you decrease, look at how the stitch looks from the front on the row that you are knitting. Have a look at the same stitch after you have done the next row. If you need to then you can grab a safety pin and thread it around the stitch you made. This will make it easier to see what it looks like on the next row. This will take time but really learn what it looks like.

Practice this and all the good stuff will come. Over time it will make sense. Maybe not on day 1 or 2 or 10 but it will come.

As always I'd love to hear your thoughts - good, bad, whatever. Tell me if my pictures aren't clear. I have no idea how to write on an image so as soon as I figure this out it will be a little easier. Are you up for more posts like this?  

Felicia x

UPDATE: I'll keep linking here as I create more.

Learn to Read Your Knitting - Part 2 - Decreases is up! 

Learn to Read Your Knitting - Part 3 - Increases is up!

*there are rare occasions but they should be rare!

**obviously this is a small exaggeration because of the pain inherent in any creative pursuit ;)

In How To, Thoughts On Craft Tags knitting
125 Comments

Practising in the gap

February 4, 2014 thecraftsessions
Matching paint swatches to big pieces of pretty linen.

Matching paint swatches to big pieces of pretty linen.

So there has been quite a lot of talk about perfection and completion and ability and taste on this blog lately - which has been fantastic - lots of people chiming in with their experiences. And just so we don't get stuck on any one topic, this will be the last post around this idea for a little while.

But I came across one more thing last week that I thought might be of use to all of you who are thinking about this stuff. And that is something the lovely Brienne said in a post that has really stuck with me. She was talking about making a dress for one of her small people and she was trying something new. At then end of the post she talked about all of the things she wasn't happy with about the finished product and proceeded to say that 

“Honestly, there’s a lot about this dress that I’m not that thrilled about. But I loved both the fabrics and I’m comforted by the idea that I’m just practicing. And I’m working in the gap:) ”
— http://briennemoody.typepad.com/by_brienne/2014/01/re-imagining-the-recess-raglan.html

And that gap is the one from Ira's quote from my blog post last week - The gap between taste and ability. Brienne's take on it is such a comforting thought. That at the moment this is where I am at AND that I can just keep practising and working in the gap! So thankyou Brienne!!

So this week I've been holding tight to two ideas

  • that idea that I can just practice in the gap with no pressure
  • that in order to make the things I really want to make, (ie. the things I have imagined) I might have to do a little more practice
My kid quilt idea in my crinkly scribbled-on visual diary.

My kid quilt idea in my crinkly scribbled-on visual diary.

One of the many many mock ups.

One of the many many mock ups.

And it has meant that I have moved forward on my longer term project of making all three of my small people a quilt. I have wanted to do it for the last two years but in my head have been avoiding doing it for the simple reason that I don't plan on making them more than one single bed quilt for their childhood. And because I only want to make one I really want it to be perfect! .......and here we go again ;) rambling on about perfection......The lovely Claire has pointed out that that was a hell of a lot of pressure to be putting on a thing - which is an excellent point!

Figuring out colours using paint swatches - ala Anna Farago

Figuring out colours using paint swatches - ala Anna Farago

Trial and error.

Trial and error.

In making the quilt last year that wasn't perfect but was still beautiful I got a bit of practice. That was practice version 1 of the quilt and the kids versions are going to be 2,3 and 4. Maybe by the last one I will have moved closer to where I want to be. And how exciting is that.

What are you practicing??

Felicia x

7 Comments

Craft as comfort, craft as art?

January 29, 2014 thecraftsessions
Knitted this cardy last week after I got obsessed with trying to figure out how to make shoulder shaping a bit like Primoeza. Not quite figured it out but partway there. I now need to knit another. 

Knitted this cardy last week after I got obsessed with trying to figure out how to make shoulder shaping a bit like Primoeza. Not quite figured it out but partway there. I now need to knit another. 

So I stumbled across this video of Marina Abramovic* on youtube today (as you do?) and it clarified something to me about how craft fits into my life. I have wondered in the past what is the point of it all. Is it just the actual act of making? Is it just to make things?  Is it to make useful things? Why do I get so obsessed with following through on a particular idea? Why do I feel the need to have something in my hands on a long train trip? Why do I feel a bit pannicked when I forget said project? Why do I completely loose myself in the moment when I am taking photos or choosing fabrics for some new idea? Why am I sometimes unable to force myself cook (another) dinner because I want to work on some particular project? Why is it that i would much rather make a tee shirt for my small boy than chuck down $10 on one from Bonds? What is it all about?? Why is it such an important part of my life?

Marina is talking in the clip about art and being an artist. Which I am not. BUT I do recognise the feeling she describes at the start of the clip. And it gave me some words to describe what it is all about.  

FeliciaSemple1.jpg
FeliciaSemple2.jpg

Craft as art - this is the obsessive joy part of craft for me. Marina defines it as an urge to create. I think I think of it using different words usually, but it is the urge that she describes that is such a big part of craft for me. When you wake up with an idea and it won't go away. And you find/make time just so you can get to whatever it is you are thinking about. And then you can't put it down. There is such a calm joy involved in this part of it.  

There is a psychological state called flow that I think describes this feeling perfectly.  

“Flow is the mental state of operation in which a person performing an activity is fully immersed in a feeling of energized focus, full involvement, and enjoyment in the process of the activity. In essence, flow is characterized by complete absorption in what one does.”
— Wikipedia http://en.wikipedia.org/wiki/Flow_(psychology)

Craft in this capacity brings the true joy of being truly and completely absorbed in the moment. 

FeliciaSemple3.jpg

Craft as comfort - this is the meditation part of craft for me. Equally vital to my everyday state of mind. This is the thing that means that I don't mind sitting in the park for an hour while the small people climb a frame. Or reading books about bears to small people for two hours while it pours down with rain outside. Or sit in the car for a 3 hour drive while people in the back (again small ones) argue about who has put a leg/hand/head into someone else's "bounds". This is the bit that keeps me sane and calm. It helps with the "waiting" parts of life. It isn't always possible to meditate but it is often possible to have something calming and natural moving through my hands in the middle of the chaos. Something that stitch by stitch is getting bigger. More quiet joy!

And while writing this I have found that there is a third one. Probably just as important but very different to the first two. The first two are all about the process. They are about the joy that comes in the doing. The final one is about the product and brings a different kind of ongoing joy.

FeliciaSemple4.jpg
FeliciaSemple5.jpg

Craft as utility - mainly about the outcome. This part of craft doesn't bring me as much joy in the process. Ocasionally I have even beeen known to be slightly resentful of this bit, as I feel it takes me away from what I truly want to be doing. It is definitely more (all?) about the end product. But that end product brings joy that isn't of the moment. It's joy that lasts. Every time I see the thing I made I get a bit of the joy.

One of my favourite examples of this isn't even something I made. The lovely Claire (who helped organise The Craft Sessions) once made a cabled DK single bed blanket. It is beautiful!! It took her about 3 years - and in a way this in itself does my head in - but she is a patient woman. But every time I see it it brings me joy. And I didn't even make it. I am sure it brings her joy too. And the same applies when I see my kids dressed in clothes I made or I wear a frock I made. Ongoing joy. Little by little.

I love that the things that I made all have this joy in them. And then this joy is littered throughout our life in the things we surround ourselves with. And that I love!

FeliciaSemple7.jpg

All this talking about the joy has got me thinking - crafting needs a new slogan I think. I still feel like craft sometimes gets a bad rap. What about Craft - everyday joy in so many ways. I agree it isn't that punchy yet and maybe it needs a little (lot of) work.....but I'm onto something right?? 

Love to hear your thoughts. Are you with me, or is it something else for you entirely? Anyone got a better slogan?

Felicia x

* I know very little about her but came across her through this clip of her at MoMA.

In Thoughts On Craft
6 Comments

Kids Clothes Week Is This Week!

January 26, 2014 thecraftsessions
Stack of potential tshirts waiting to become more than just potential.

Stack of potential tshirts waiting to become more than just potential.

It's come to my attention that not all of you know about the wonderfulness that is Kids Craft Week - and it starts tomorrow! So I thought I'd better slip in a quick post about it to see if you wanted to join me.*

Kids Clothes Week was started a good few years ago by Meg from Elsie Marley. The jist of it is that for a week you commit to sewing an hour a day on kids clothes. Super simple - no other rules and the commitment is to yourself. It is a fantastic way of getting started sewing again if you have been off the machine for a while, or for getting all organised for a new season of clothes for your kids. It is now running once each season - so four chances a year to reset your sewing mojo and jump in.

A favourite Japanese sewing book.

A favourite Japanese sewing book.

T-shirt pattern that isn't really a t-shirt pattern but has such a sweet shape. 

T-shirt pattern that isn't really a t-shirt pattern but has such a sweet shape. 

There is absolutely no pressure in this thing. I've done it about four or five times over the years and rarely get around to posting something online I have made. For me it is more about reminding myself that I don't need huuuuge blocks of time to sew and that I can get a lot done in a week with just an hour a day.

Many people do post what they are making during the week on the KCW site and the results are truly inspiring. In the lead up to the event they have people posting hints and tips, inspiration and about getting their kids clothes needs organised.

For me this year it is perfect timing with school going back in the next week or two. I know there is one kid that is in desperate need of some simple t-shirts/shirts and my smallest is off to kinder so needs the traditional family I'm-starting-kinder-backpack. (She has been asking for her version for at least a year.) If I can get the backpack and a couple of t-shirts done I will be calling myself a winner. 

Our family you-go-to-kinder-arnen't-you-big backpack comes from this lovely book.

Our family you-go-to-kinder-arnen't-you-big backpack comes from this lovely book.

She has had some input into the fabric choices. Mine is the one on the left. Hers is the PINK - I'm being a little mean and just using it for the lining.

She has had some input into the fabric choices. Mine is the one on the left. Hers is the PINK - I'm being a little mean and just using it for the lining.

A lovely friend of mine Brienne has been posting over on the KCW blog this year. As well as having killer style, she has been chatting about making things in the gap after my blog post last week on the Gap Between Taste and Ability. I'm going to be remembering that this week - that I am just practicing in the gap. No need for perfection.

Have you joined in before? Do you think you might?

Felicia x

* If you want to join in but miss the start it truly doesn't matter. Start Tuesday, or Wednesday or even Friday. It is all about jumping in and doing a bit each day.

2 Comments

Part 2 - Best of light sweater/cardigan yarns

January 22, 2014 thecraftsessions
Granny's Favourite is the pattern by one of our teachers Georgie Hallam.

Granny's Favourite is the pattern by one of our teachers Georgie Hallam.

So I think we started off strong with Part 1 of this post - lightweight sweater/cardy yarns that are in the sport/dk category. Go have a look - both of them are complete winners of yarns. They don't pill, wear well, are affordable and make a beautiful fabric. 

Today we are going to talk about another winner - Shilasdair Luxury DK. This is a yarn that is relatively new to me. I came across it by complete accident and boy am I glad that I did. My bloke happens to be British; a random fact that means that every year or two I have to take a trip to the UK - which means I get to visit the gorgeous Loop in London. Now this fact is a super thing for me as well as you, because it means I can introduce you to this yarn.

Anyhoo, on my trip last Christmas I was lucky enough to have a day to myself in London - about two hours of which were spent in Loop. I was about to leave when some lovely woman opened the most gorgeous box of yarn and emptied it onto the floor. The shop staff started chattering about the perfect blue and the perfect green and so my little eyes wandered over to see what the commotion was. It was love at first sight. Not just lust you understand but true love. 

HarvestOpeningDay5.jpg
HarvestOpeningDay6.jpg

One of the things that makes this yarn super special is that it is dyed with natural dyes in the most stunning range of colours. I purchased two that day - Tansy which is dyed with tansy flowers and Hawthorn which is dyed with a combination of lac and cochineal. I will say that it is not possible to photograph the true colours of these yarns and even after editing the photos to try to make the colour a bit truer I can't get it perfect. They are more luminous than the photos suggest. The red is more red and less rust and waaay more beautiful. And the yellow is somewhere in between the bright colour below and the yellow of the top photo. It is lovely.

And lets talk about the structure. Again we are talking about another blend. But different to the other two again. This one is 10% cashmere, 10% baby camel  fibre, 40% angora and 40% fine merino lambswool. I haven't come across something similar in terms of the way it feels or the blend. It has a twist but at 300m per 100g it is super light for something that knits up as a DK. (If I am confusing you then please go back to Part 1 as I explain this a little better or ask me a question in the comments).

Show the texture and the beautiful semi solid-ness of the yarn.

Show the texture and the beautiful semi solid-ness of the yarn.

Shilasdair.jpg

The yarn feels a little thin for a DK as you are knitting it, but after washing it blooms beautifully. It the close up of the yellow above you can see the texture of the yarn, some twist, some longer fibres (camel??) and you can also see the beautiful variation of the semi solid.

As I have said before I am a fan of the semi solid. And according to the stats so is the rest of the world (have a look at these great posts from Bristol Ivy on knitting stats from around the world). It gives your garment more depth, it looks less flat and more interesting. What I don't like is when there is too much variation in a semi solid leading to a more spotty look. These yarns have the perfect balance - perfect!!

I planned on having my cardigan finished by the time I was to post it but it wasn't to be. I knitted the yoke, both sleeves and had started the body before I figured out that it was too big. So I ripped it (with the help of the lovely Martine who talked me through the pain) and have started again. I am almost where I was but I thought I would show you some photos anyway. That way you can see how another of the beautiful semi-solids knits up. Lovely isn't it!

HarvestOpeningDay3.jpg
Dodgy bathroom photo of it before I ripped it out.....

Dodgy bathroom photo of it before I ripped it out.....

HarvestOpeningDay4.jpg

Yarn Stats - 300m in 100g and is a blend of 10% cashmere, 10% baby camel  fibre, 40% angora and 40% fine merino lambswool.

You can buy it from Loop here and Die WollBox here.

Next up will be something a little more local. 

 

Felicia x

2 Comments
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Welcome! I'm Felicia - creator of The Craft Sessions and Soul Craft Festival.

This blog aims to celebrate the connection between hand-making and our well-being.
These posts aim to foster a love of hand-making and discuss the ways domestic handcrafts elevate our everyday.

I love the contributions you make to this space via your comments and learn so much from each and every one. x

Thoughts On Craft

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Another #theyearofthescrap #ellenscardigan using some #oldmaidenaunt alpaca silk from many years ago. What I love about this little cardy is it’s simplicity and how little yarn it uses. Perfect for scrap knitting. I now have a little pile of ba
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Block 8/12 - I’m so excited to be back making this for my smallest for her 10th birthday. It’s a #stash_less #theyearofthescrap quilt that is based on an incredible #geesbend quilt. And it’s all scraps and precious bits and pieces.
Another #theyearofthescrap #ellenscardigan using some #oldmaidenaunt alpaca silk from many years ago. What I love about this little cardy is it’s simplicity and how little yarn it uses. Perfect for scrap knitting. I now have a little pile of ba New blog post: Craft as elevating the mundane! I think this idea is so important. 🌿 'Making is about enriching the moments of our lives; it’s about making the mundane (and not the extraordinary) more abundant and that bit more lush…. el Block 8/12 - I’m so excited to be back making this for my smallest for her 10th birthday. It’s a #stash_less #theyearofthescrap quilt that is based on an incredible #geesbend quilt. And it’s all scraps and precious bits and pieces.
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Is My Making Fast Fashion?
Apr 12, 2022
Apr 12, 2022

We Live and work on the traditional lands of the Wurundjeri people of the Kulin nation.
We acknowledge that sovereignty was never ceded and pay our respect to elders past, present and emerging.

Copyright the Craft Sessions 2020

Logo designed by the lovely Mara of Printspace and Girling Design