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What we can learn from watching kids craft

November 13, 2015 thecraftsessions

My kids craft a fair bit. Not because I am some generous, kind, and nurturing mother, who sits for hours on end with her kids, helping them to create wondrous things. I don't do that. I'm not that patient and I often have stuff to do. Instead they craft because they are surrounded by materials and I give them the freedom and the autonomy to start stuff. And make a mess. 

Want to make a bag out of felt for your sister? Sure thing. There is the box of felt, there are the sewing needles. Off you go kid.

Want to dye some yarn? Here is some yarn, there is a jar. You could use onion skins or turmeric or grab some leaves out of the garden.

You want to do some finger knitting? There are the scraps. Off you go. Please don't make a lasso and put it around your sisters neck. 

I help when they are trying something totally new. I help when they get stuck. I help when they are making something special as a present, and sometimes I help when they have an especially grand idea. 

Occasionally I give some advice on a way of doing something but I always position it that the advice is one way of doing it. Not the only way. I always add that they might come up with a better way. 

I want them to get that I don't have the answers, and that they control it, direct it, own it. 

So they make stuff.

They don't always finish stuff and that's OK too. Their idea of what is finished and my idea of what is finished are two separate things. 

I try really hard to stay out of it. Sometimes biting my lip in the process. Sometimes hard enough to draw blood :). Who doesn't want to control things.

Why do I try so hard to stay out of it? Why do I try not to "teach" them how to do stuff? Because I've seen that they actually have an advantage when learning to craft that we grownups don't have. And I believe that if I were to start trying to teach them stuff then I may kick that advantage right out of them.

Unlike many grownups, most kids - if left to their own devices from an early age - will experiment.

Experimentation and curiosity is how we learn. It's how we developed from apes, to tool-using apes, to upright walking bipeds, to the crazy, big-brained, inventive things we are. Experimentation allows us to be flexible and to run with possibility. Some of my favourite projects have come as a result of experimentation or accident. And for me the learning that comes out of experimentation feels different to the learning that comes from being taught. I feel more connected to it, my understanding is deeper and I retain it longer. 

As we get older, our willingness to spend time experimenting seems to fade.

Collecting dyeing materials.

Collecting dyeing materials.

 

I have a few theories about this. One issue for many of us seems to be that as we get older, we become more time poor and for many reasons, both cultural and personal, we start attaching judgements about our time. The simplest judgement about time is that we need to be productive with it. This judgement is so prevalent (and so culturally strong) that we then lose our natural inclination to experiment. We want results. We want an outcome. And we want that outcome to look like what we imagined. We place narrow parameters around what is a successful project.

And the situation actually gets worse. When something doesn't quite go how we planned it, imagined it, or dreamed it, we assign blame and often translate a projects "failure" into a judgement about ourselves. We say things like "I'm rubbish at ....." or "I'm not patient enough" or "I just wasted those materials" or "I obviously did something wrong ". Blah bloody blah. For some reason we turn the fact that the project wasn't a success into some kind of meaningful message about ourselves. 

It doesn't need to be this way as those aforementioned kids show us.

Unconsciously they allow themselves the time and space to just play. Because really they are just having a good time. Figuring it out. For fun.

We could allow ourselves to play, with materials and with time, thereby allowing ourselves the space to fail without it meaning anything. It doesn't need to mean anything. It just means the experiment failed.

Imagine how much more we could enjoy the process if we took the pressure off? 

You I know I love an example so here goes....

Over the last year the girls (who were 7 and 4) have been doing some natural dyeing. I need to stress that I actually don't know anything about natural dyeing. It isn't a skill set I currently possess. I've never been to a dyeing class at The Craft Sessions (nor any other class really - a small tragedy of being the event runner :)) and I don't understand anything about mordants and light fastness. I guess the one thing I do know is that you might want to use a mordant and think about light fastness. Obviously I'm not going to be very helpful. 

It started about 6 months ago when I showed my 7yo that Belinda had dyed some yarn using plants from our garden and jars. We talked a tiny bit about some of the things you could dye with, before the kid walked out of my sewing room. She got herself a jar, some onion skins, some flowers and some fabric, and chucked them out in the sun. And dyed some fabric.

About six months later the younger kid got it in her head that she wanted to dye some yarn. She was four and she just began. She got jars and avacodo pips and onion skins and purple carrots. Her kinder teacher had just done some dyeing with purple carrots and the kid knew she could get a result. 

So she began. She did this awesome kind of solar dyeing that we think we made up. We did solar dyeing without sun (as it was the middle of winter) by putting the jars on top of the hydronic heaters. This meant that the jars heated up during the day and cooled down at night. I made up mini skeins of scrap yarn for her and she went for it.

She decided when they were finished - sometimes she left them for two weeks, and other times she left them for two days. I didn't say anything. I simply gave her some bowls and some tongs and told her to rinse them and put them on the heaters to dry. 

She ran with it. She got results with her first round (which I will show you another day) which she totally loved. She then came to me asking what else, and so I told her I thought that sour grass (oxalis) worked, and turmeric, and black beans, and so on we went. 

Making the mud.

Making the mud.

Then not long ago, I met the very knowledgable and kind Samorn from Eastern Weft, and she told me that to get the black yarn they use in their weaving they dye using mud. I told my girls this, and so they found some dirt, made some mud, and put some yarn in it. They left it for a few weeks before trying to rinse it outside by the tap.

There were some issues. Firstly it was impossible to get all the mud off the yarn. And secondly, the yarn was still white. The mud washed off and left the yarn the same colour as it started. *

Rinsing the yarn a few weeks later.

Rinsing the yarn a few weeks later.

The final "result".

The final "result".

And do you know what they did? Literally they shrugged, walked inside and got another jar some more yarn and some gum leaves. 

That was it. I don't think they gave it another thought. There was no sadness about wasted time and materials. There was no judgments about their abilities with natural dyeing. 

The other interesting thing about it, is that while they like the yarn they have dyed, and want to play with it, they don't seem to consider it as a precious/amazing resource that they should use carefully and sparingly.

Personally if I had dyed yarn then I would be endowing it with some kind of "specialness". I would consider carefully how to best use it and probably get frozen in indecision. I might just leave it sitting there because of it's preciousness.

The girls don't think anything of randomly using it for a collage, or cutting it up to make bracelets and finger knitting. They have used it to make a leash for a stuffed toy dog. I have to bite my lip and smile admiringly at their creations.

It is their process, not mine. And I learn so much from watching it.

Are you still an experimenter? Were you ever?

Felicia x

*Samorn has since told me it is a special kind of mud.

 

In Thoughts On Craft
23 Comments

Slow Fashion October : Small

October 9, 2015 thecraftsessions

So I tried to write this post earlier this week. And I wrote a whole other post about my plans for my frocks - but it didn't sit right and so I didn't post. I talked about my goals for Slow Fashion October last week on the blog and they remain the same. Focus and frocks. But how they fit into the bigger picture .....well I needed to give it some thought. 

So from Karen's setup post - this weeks theme is Small. 

“...we’re talking handmade / living with less / quality over quantity / the capsule wardrobe / indie fashion / small-batch makers / sustainability in every sense. ”
— Karen from Fringe Association

The more I thought about it the more I wanted to spend this month focused on the bigger picture. Not just making frocks at a frantic rate (I'm sewing faaaassst this week!) but sewing frocks that fit into the bigger picture of a quality wardrobe that will last over time. 

Before embarking on this process of making my wardrobe a few years ago,  I often used to go to the cupboard and find nothing to wear. This is no longer my reality.  I've slowly created my larger-than-necessary capsule wardrobe, in complimentary colours, and it works really well. I fell good about it. So now it's just a process of filling in the gaps. Which means not making lots of frocks but making frocks the right frocks.

That said I think part of the problem of desiring more and more is that I don’t think I’ve ever felt that good about my wardrobe. I’ve looked into it and  many/most of the clothes haven’t made me feel that good. I haven't put that much thought into them. I've impulse purchased and not planned. I've had that "I don't have anything to wear feeling" often.  Moving to a place where most of my clothing “sparks joy” Konmari style, and throwing out those things that don’t, has me feeling more grateful and less needy. Which means that I’m less focused on acquiring more (from a place of not-having-enough) and more focused on being joyful for what is there (from a place of gratitude).

I’ve talked a bit about my changing relationship with the idea of “enough”. A tricky concept to be sure. So while I’ve been meaning to make frocks for forever, when I’m finally about to make, I find myself wondering if I actually already have enough clothes. Eek!! So I want to be careful. Careful that I am making things that I really want to wear, will wear often, will be part of my everyday and that won’t date. 

I read this line in Women In Clothes this week when one of the editors/writers talks about how she believes that each person has a “deep style”, even if they don’t know it. I’m thinking a bit about what mine might be, so that I can make sure the things I’m making fill the gaps, and then last me. I’m hoping the formula leads to something like this.

Less + better* = Satisfied for longer and grateful

*Where better is something that fits me, my lifestyle and makes me feel joyful. Because joyful clothing is where it is at - non?

There is this other line in Women in Clothes (I can’t find where ) where one of the women says that her purchasing line is “will I like this in five years?” Isn’t that an ace yardstick with which to measure a purchase?

So I have a revised plan for my wardrobe - to fill gaps with deep style items I will like in five years. 

And the thing I was at risk of doing at the start of the week was planning on making a lot of things. Four frocks was my plan. And in time four might be a good amount - I already have a few. But after a few days of thought about enough/capsule/style/consumerism/responsibility/desire I am scaling the plan back to include the two that I most want and am most avoiding because I'm a little scared. Scared they won't turn out as beautifully as I want them to. I've been dreaming about them both for so long that making them into a reality comes with the risk that I'll screw them up..... Slow Fashion October to the rescue! Let's focus on the things that will make us happiest in the long term in order to kick the fear to the curb. 

Without further ado, they are...



The everday boxy tunic - in a gorgeous fabric

Over jeans, over tights. Loose box tunic with a stylish shape in a gorgeous fabric. Lou Box again – but altered to be more Georgia like. So a bit wider and with the cuff on the sleeves. I can’t remember how I came across Elizabeth Suzann originally but like many others before me I'm a little obsessed with her style. Timeless, fashionless, forever clothing that suits my everyday*. I want to make a long tunic kinda knee length frock in my favourite ever linen that I have been saving like the hoarder I am. It’s going to be simple and smashing. I've cut it out already and am very nervous that I made the neckline too big. "It's only fabric, it's only fabric, it's only fabric" is the mantra of the day.

Scraps ready to go....

Scraps ready to go....

 

my favourite daywear-to-dinner frock style - in a gorgeous fabric I made

Anna by By Hand London is the base pattern of the top of this frock! Again I’ve been wanting to do Anna for-ever. This dress shape is one of my favourites - but it needs a lightly gathered skirt like you see in the examples here that pair it with the Emery skirt.  I plan on doing a slightly gathered skirt as per my favourite ever Gorman frock and will lower the neckline a little. And the fabric.....well I can't wait to show you but I have plans for a masterpiece…..that is where the slow fashion comes in. It may not work but I'm going to finally give it a shot.

And then there is the dress that I don't get to make yet but may make before the summer.

the summer perfect summer frock - in Nani Iro 

Lisa by Tessuti. Frocks like Lisa would be my everday summer uniform if I had one. I have a jersey fushia number (I can see your shocked faces) that I’ve worn quite a bit. But I've worn it not because I like it, OR because it fills me with joy, but rather because it's there. Lisa will be joyful. She will be made from that gorgeous Nani Iro in the photo above, with a lower scooped neckline and possibly no buttons. I need to lower the neckline as I think Lisa suffers a little bit from Waist Boob on me. I tried the sample on in Tessuti's Melbourne shop. If only we could do that with all sewing patterns!  

Can't wait to see what you have all been up to this week.

Felicia x

*In time I plan on purchasing some of her sensational Clyde pants.

In Inspiration, Stash Less, Thoughts On Craft
7 Comments

Craft in the middle of motherhood

August 18, 2015 thecraftsessions

Motherhood. I've been meaning to write this post for a long time*. But each time I start I end up feeling like the topic is too big, I've too much to say, and I'm too tired. One thought was that another title for this post could be "Craft as a Parental Survival Technique" because in the early years of motherhood, craft really did save me. I'm worried that sounds a little dramatic, but I feel that many of you will know exactly what I mean. You do, don't you?

I had a short email exchange with a friend today about parenting toddlers and tears. The tears of the grownup, not the kid, you understand. She was nearly there today and I've been there, many many times. In fact I was there only a few short weeks ago. Sending myself to my room because I just wasn't coping with the demands of three small people at bedtime in the midst of headaches, mice plagues, renovations, absent partners and a freezing cold winter. Too much sibling fighting. Too much he said, she said. Too much.

To cope, during those few days of overwhelm, I found myself knitting like woman possessed. Knitting as a way to find a little headspace. Knitting as a way to find a little calm. Knitting as a way to be a better parent. The parent I want to be. One that is thoughtful and kind and present and wise. I'm nearly 10 years into parenting now, and I know that without craft, there is no chance I would even come close to being that parent. Craft means that somedays I get there.

I've often wondered whether there really are people in the world that fully embrace parenting with their whole hearts, never needing their own space or craving their own time. Or whether that is purely a myth, and those that appear that way, merely look that way from the outside in. Maybe there are? And if they are in that space - the one where they are just present and truly happy - then I envy their contentment. I'm there sometimes but often I find myself craving space, adventure, freedom.

Yes, parenting was a choice that I chose. I chose to have children and I honestly love it. Wholeheartedly. They are truly magic and beyond a doubt it is the most amazing adventure I've ever been on. But that said, I don't think I really understood the choice I was making when we decided to have a baby. I didn't understand just how much of yourself gets consumed, not just by the kids, but by the household duties that come along with it. I used to say to my partner that I had agreed to become a mother but not a housewife. And yet there is a certain inevitability to the daily slog. I do housework because I love my kids and I want to create a home for them that feels warm and cosy. I try really hard to be present. I try really hard often. And yet housework has never been something I've been able to fully embrace even when I try really hard. I resent it. I've tried following the Buddism for Mothers idea about moving meditation and non judgement. "It's only a broom. It's only sweeping". I've tried not judging the activity with the dialogue of  "this is so f&%*ing boring. How is this my life?" I know those thoughts are ungrateful. I know how blessed I am to have three healthy happy kids and a partner and a cosy home and yet sometimes it feels all consuming. How is it possible that that there is that much housework? How is it possible that there is no time? How is it possible that I have no time to do the things I want to do? The things that give me joy and fill me up?

Kids, by their very nature, crave attention. I don't see them as attention seeking as such. They are however, totally wrapped up in their view of the world and it's excitement and want to share it with the people they love best. And I'm lucky enough to be that person. 

I love hearing about their inner lives. About the special headband, and the steps involved in doing a handstand, and how they found a gecko, and how their best friend said that she was getting a horse for her backyard.... 

But there is a but. And the but is that there is often no headspace at all. Sometimes it feels like if they see that I'm actually having a thought, any kind of thought that doesn't involve them, then they feel honour bound to bring me back with a "mama, mama, Mama, MAMA MAAAAMA!!!". Till I am back. Right there with them. 

As they have gotten older the intensity of parenting is easing up a little, and I know it will one day end for good, which truly devastates me. But being in it, being in the thick of it, somedays I just want to run for the hills. 

My friend asked me today whether I had read The Divided Heart: Motherhood and Creativity by Rachel Power. I forgot to reply as I was dealing with ear infections and renovations, but the answer was a big loud YES! I'm so grateful to that book. That book talks about the struggle. The struggle to mother well but also to retain a sense of self. I read it when my kids were young and it was such a blessing to me. I heard other women talk about their struggle with the same thing. And it is a struggle. 

This simple line from the book sums it up the best for me. 

“I regularly used to accuse my mum of being vague, ... which I feel very bad about now, because I realise she was just trying to maintain an inner life”
— Jocelyn Moorhouse, Filmaker, The Divided Heart

An Inner Life! I want one of those.

And then there was this

“My son, and later my daughter too, demanded total fidelity to their need for a mother who was present, alert to their small achievements, sensitive to their coded messages. The moment I sat down to read or to pen a few lines, their antennae seemed to twig that my energy had turned inward, and I was ambushed by demands. ”
— Rachel Power, Author of The Divided Heart

There wasn't (isn't) time. There wasn't (isn't) space. And that is why domestic textile-based handcraft became my lifeline. It was portable. I was able to do it while they were there. I didn't need a special setup. It could blend into our life. Over the years it's become so much a part of our lives, they seem to see it as if I'm doing housework, and so don't feel like I've left them when I'm doing it. 

Craft gave me something of my own, even in the midst of kids and chaos and sickness and school and moving and travel. It gave me a visible product at the end of a day where I felt that I had achieved nothing but even more chaos. The click-clack provided a rhythm which matched the beat of my heart, calming me down, grounding me in precisely the right way. It gave me a way to be present when all I could think about was freedom. It gave me 3% of my me-ness even when I was reading a story I didn't like, to three small people who were simultaneously doing my hair, sitting on my back and arguing over whose turn it was to sit next to me. And it turns out that 3% is often enough. 

It gave me something that was mine, just mine. Space. A moment. A thought. An idea. A product. A process. A feeling. A spark. Joy. Calm. Grounding. 

It enabled me to be in it even on days when I didn't want to be there. It meant that within the new life (I had chosen) there was still a part of me that was the me of before. The core of me. 

After writing this down I take back what I said at the start. I'm not worried about it sounding dramatic. I'm almost worried that I won't have conveyed just how meaningful craft has been to me. And even though the intensity of small baby-hood has passed, on days like the one a few weeks ago, it is as relevant and meaningful and necessary as ever. 

I'd love to hear your stories. Was this your experience?

And if you are a creative woman with kids looking for a fantabulous life-changing and afirming read then please look at Motherhood and Creativity: The Divided Heart. I go back to it time and again when I need a reminder that I'm not alone.

Felicia x

*The date that this post was originally created, according to my web software, was way back in May of 2014. 

PS. My apologies that I haven't been as present as I would normally be in this space. That life/parenting/family/running-a-retreat thing has been kicking my arse just a little bit. I'm reading your comments as always just not able to reply like I normally would.... Today though - I'm totally here! x

In Thoughts On Craft
81 Comments

What is art?

August 4, 2015 thecraftsessions
Jules' gorgeous sweater which you can see in detail on the Woollen Flower blog. 

Jules' gorgeous sweater which you can see in detail on the Woollen Flower blog. 

So late last year I went to a bar with Anna, drank a few glasses of pinot and got up on my soapbox (barstool?) about the lack of credibility and respect given to craft - and I wrote a post about it. Craft as the ugly stepsister. And as is often the case with blogging, the really good stuff happened in the comments section of that post. The comments gave me so much to think about that I've been thinking/chatting about it ever since. And although that post wasn't really a craft v's art post I'm really curious about where the line is. What makes craft craft and art art? And then why is one deemed more XYZ than the other?

One comment I especially loved was Siri's paraphrasing of her sister Mim's thoughts.

“Art and craft are different. She suggests art is harder because it is about creating new frameworks that challenge the way we perceive and think about things. She likes craft because it is gentler and there isn’t this pressure on it.

She also suggested that whether people see craft as equal to art is a different issue.”
— Siri giving the gist of Mim's thoughts. Both smart women. x

I totally agree with Mim. I think that the line between art and craft is very different to whether people see craft as equally deserving of their respect. The probably both deserve their own posts but for now I've found something that shifted the whole debate to another plane.

I've been moving on from my beloved podcasts this week, and upping the ante on my "ideas consumption", by listening to an audiobook by Seth Godin called the Icarus Deception. Chapter 3 talked about what art was - in Seth's opinion it isn't necessarily a painter.

“Oscar Wilde wrote that art is new, complex and vital. Art isn’t something made by artists. Artists are people who make art. Art is not a gene or a specific talent. Art is an attitude, culturally driven and available to anyone who chooses to adopt it. Art isn’t something sold in a gallery or performed on a stage. Art is the unique work of a human being, work that touches another.

Most painters, it turns out, aren’t artists at all — they are safety-seeking copycats. Seizing new ground, making connections between people or ideas, working without a map — these are works of art, and if you do them, you are an artist, regardless of whether you wear a smock, use a computer, or work with others all day long.”
— Seth Godin "The Icarus Deception"

 

Seth says many more things about art (in this book and others) which I found useful and which have transformed my thinking to some degree. I'll leave you with a couple more but I would love to hear what you think and whether this resonates for you.

 

“Committing to do work that is personal, that akes guts and that has the potential to change everything. Art is the act of a human being doing generous work, creating something for the first time, touching another person. ......

Art is frightening. Art isn’t pretty. Art isn’t painting. Art isn’t something you hang on the wall. Art is what we do when we are truly alive. If you have already decided you are not an artist it is worth considering why you made that decision and what it might take to un-make it. If you have announced that you have no talent in anything then you are hiding.

Art might scare you. Art might bust you but art is who we are, and what we do and what we need.

An artist is someone who uses bravery, insight, creativity and boldness to challenge the status quo. And an artist takes it, all of it, the work, the process, the feedback from those we seek to connect with personally. Art isn’t a result, it is a journey.

The challenge of our time is to find a journey worthy of your heart and your soul.”
— Seth Godin "The Icarus Deception"

Weigh in lovely peeps! 

Felicia x

In Thoughts On Craft
13 Comments

The True Cost

July 31, 2015 thecraftsessions

Today I want to talk about the documentary, The True Cost that was released earlier this year. I've finally just got around to watching it and I'm only three quarters of the way through. Now this may seem like an odd time to review it but that's just it. I've decided I don't really want to review it*. I want to simply suggest you watch it.

“Filmed in countries all over the world, from the brightest runways to the darkest slums, and featuring interviews with the world’s leading influencers including Stella McCartney, Livia Firth and Vandana Shiva, The True Cost is an unprecedented project that invites us on an eye opening journey around the world and into the lives of the many people and places behind our clothes. ”
— www.truecostmovie.com

Shivers is what it has given me. Shivers because there was things I just didn't know. Shivers even though I consider myself to be relatively well informed and thoughtful. So much I sort-of knew has been clarified, and then some. But what I'm loving about this doco is the big picture stuff. It covers it all, our behaviour as consumers, big business, fair trade, environmental impact of the growing and the waste, health, treatment of workers in the third world, and more. 

Just in case you aren't a fan of preachy docos, don't worry. This isn't one. They make it interesting and considering the massive scope of the film they do a good job of giving you a big picture overview.

I haven't seen the end yet so I'm not sure if they are able to wrap it up well, or if they offer solutions or ways forward. Even if they don't I'm not sure it matters. They give you a lot of information. Information that could be used to make different choices. I believe in personal responsibility. I believe personal action is powerful and the small changes we make add up. The only person's behaviour I can directly affect or change is my own. And this documentary was a great reminder of what I care about and what I want to change;  a personal call to arms. Renewing my desire to be thoughtful and considered in what I purchase, what I own, what I wear.

I still make mistakes in this and go the easy option; buying because it was quick and pretty and affordable. Just this week I did it when I purchased leggings for the girls without truly understanding the company I was purchasing from.  I know I can do better. 

“You change all consumers into activists, all consumers asking ethical questions, all consumers asking quite simple questions about where there clothes are from. All consumers saying I’m sorry, it’s not acceptable for someone to die in the course of a working day. We can’t just roll over and say yes have it, do what you like. It’s too important, it’s too significant an industry, it has too much impact and effect on millions of people worldwide and common resources. ”
— Lucy Siegle - The True Cost

One place that is particularly relevant here, where I know I can get better, is in my purchasing of fabric. As many of you know, over the last year I have been working on changing my purchasing  behaviour through my Stash Less project, and hopefully I've helped to raise some discussion at the same time. The aim of Stash Less is that I will purchase craft materials in a more thoughtful way and that I can change my behaviour one step at a time. One area I haven't really spent much time on yet is where my fabric comes from.

I know a little - for example in the picture at the top of the post I know that two of the fabrics are organic. But what about the rest. And then what about things I adore, like Liberty, ....or Nani Iro. I know nothing about where they are made, and how they are made, and I haven't asked. And that to me is the simplest small change I can make. I need to ask.... 

If you've seen it or go watch it because of this I would love to hear about what impacted you.

Felicia x

* A quick google search will lead you to many a reviewer by many a website or newspaper. 

In Stash Less, Thoughts On Craft
19 Comments
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Welcome! I'm Felicia - creator of The Craft Sessions and Soul Craft Festival.

This blog aims to celebrate the connection between hand-making and our well-being.
These posts aim to foster a love of hand-making and discuss the ways domestic handcrafts elevate our everyday.

I love the contributions you make to this space via your comments and learn so much from each and every one. x

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Simple Sewing 101 - Part 1

Craft In The Middle Of Motherhood

Another #theyearofthescrap #ellenscardigan using some #oldmaidenaunt alpaca silk from many years ago. What I love about this little cardy is it’s simplicity and how little yarn it uses. Perfect for scrap knitting. I now have a little pile of ba
New blog post: Craft as elevating the mundane! I think this idea is so important. 🌿 'Making is about enriching the moments of our lives; it’s about making the mundane (and not the extraordinary) more abundant and that bit more lush…. el
Block 8/12 - I’m so excited to be back making this for my smallest for her 10th birthday. It’s a #stash_less #theyearofthescrap quilt that is based on an incredible #geesbend quilt. And it’s all scraps and precious bits and pieces.
Another #theyearofthescrap #ellenscardigan using some #oldmaidenaunt alpaca silk from many years ago. What I love about this little cardy is it’s simplicity and how little yarn it uses. Perfect for scrap knitting. I now have a little pile of ba New blog post: Craft as elevating the mundane! I think this idea is so important. 🌿 'Making is about enriching the moments of our lives; it’s about making the mundane (and not the extraordinary) more abundant and that bit more lush…. el Block 8/12 - I’m so excited to be back making this for my smallest for her 10th birthday. It’s a #stash_less #theyearofthescrap quilt that is based on an incredible #geesbend quilt. And it’s all scraps and precious bits and pieces.
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